| bio | press | recordings | projects |contact | photos | video | links |
recordings

>Pandelis Karayorgis Trio:
>Carameluia

 


 

Carameluia
Pandelis Karayorgis Trio
Ayler Records aylDL- 076, 2007
[Digital download release only]
www.ayler.com
to buy/download from Ayler/Klicktrack, click here
to buy from iTunes click here.

You can download the artwork for printing (PDF format): cover, tray, label

Pandelis Karayorgis, piano
Nate McBride, bass
Randy Peterson, drums


Recorded February 2005

Pandelis Karayorgis Trio
webpage

TRACK LISTING
1. Snssegatoo
(Karayorgis) 6:11
2. Canopy
(McBride) 7:17
3. Liwisies
(Karayorgis) 5:49
4. The Volunteer
(McBride) 8:49
5. Winmooth
(Karayorgis) 7:02
6. Liptowthreea
(Karayorgis) 5:20
7. Lifgatowy
(Karayorgis) 5:16
8. Ydidnan
(Karayorgis/McBride/Peterson) 3:44
9. Carameluia
(Karayorgis/McBride/Peterson) 6:44

Liptowthreea
(P. Karayorgis)

Real Audio

 

 

 
 
 
       

Reviews

(...) Carameluia is part of Ayler Records' growing catalog of digital download-only releases. Here, Karayorgis and McBride are joined by drummer Randy Peterson. This trio gigged regularly from 1997 through 2005. Recorded toward the end of their time working together, this set captures them a few months after they returned from a European tour. Karayorgis and McBride provided a new set of originals forthe session, capped off by two collective improvisations. While there is an angular lyricism that carries through all the pieces, time and harmonic structures are stretched even further than on the session above. Karayorgis and McBride hint at themes and then deconstruct them while keeping a tensile connection between conceptualized forms and relaxed swing. Rather than struggling with the dichotomies of tradition and freedom, the three players combine the two with a seemingly effortless directness. Tune titles like "Liwisies," "Liptowthreea," and "Ydidnan" come from words invented by Karayorgis's six-year-old daughter, and that whimsical experimentation carries through to the music. Blues, stride, and Monkian clusters crash up against bounding bass lines and Peterson's restless, shuffling drums. The three can synch up, break off, or play at overlapping odds with each other, only to hit back together with crack precision, often ending pieces mid-phrase with a hanging tension. (...)
Michael Rosenstein, Signal To Noise #52, Winter 2009

 

| top |

| bio | press | recordings | projects |contact | photos | video | links |